Careers In The Industry
Not too long ago, a parent would likely be concerned if their teenager indicated they were interested in a career in film or television. Now, they need not worry. Toronto’s film, television and digital media industry offers significant economic benefits for those choosing to make it a career. Career education and training programs are provided by industry (unions, guilds, industry associations and not-for-profit organizations, festivals, training institutions and the private sector), community colleges, and increasingly, initiatives with community organizations not traditionally associated with the sector. Most of these occupations pay decent wages and provide opportunities to advance.
In addition, the industry emphasizes learning through employment. Media production is incredibly complex, and production experience allows people to better understand it, first-hand. Peer mentorship (formal and informal), apprenticeships and ongoing training requirements drive home the value of on-the-job experience. At the same time, community colleges are experiencing ever-increasing enrollments in film and television programs, mirroring an increase in consumer demand for screen content. Both the availability and diversity of workforce training initiatives drive the talent pool. However, the current number of entrants into the industry and the number of qualified college graduates are not adequate to meet workforce needs.
Trending jobs in Film, Television and Digital Media
There are dozens of different occupations in Toronto’s film and digital media industry. According to job posting data from 2018-2021, in combination with input from industry professionals, we determined seven of the most in-demand occupations in Toronto’s film and digital media industry.
- Audio and Video Recording Technicians
- Film and Video Camera Operators
- Theatre, Costume and Lighting Designers
- Visual Effects Artists
- Grips and Riggers
- Production Assistants
- Hair and Makeup Artists
Facing Disruption
Only a couple of decades ago, the industry was largely confined to movie production, television, music production, sound recording and radio. Today, the industry is being propelled by the convergence of streaming entertainment, new technology and digital industries that include animation, visual effects, web gaming and virtual reality. How and where we access entertainment is constantly changing. And while Toronto will continue to be a destination for large movie or television productions being filmed downtown, it is also home to some of the most skilled animation and visual effect studios in the world.
The effects of COVID-19 have clearly accelerated some industry trends. First, more people are finding new ways to access content from their own home. After the pandemic is over, it is unclear what role movie theaters will play in entertainment or if attendance will return to pre-pandemic levels. Second, many artists and content creators have found new ways to reach audiences, whether it is via YouTube or a live streaming service. While these new avenues have the potential to broaden opportunities to enter the industry, it is not yet clear on how much revenue and income can be consistently generated through these medias.
Source: Global Web Index, Coronavirus Research Report April 2020
Changing Viewing Habits
More than seven in ten Canadian television watchers (73%) have “binge watched” during the pandemic (Harris Poll 2021).
The viewing of live events (live concerts or sporting events) online has increased by 10% over the past year (Harris Poll, 2021).
Number of Sound Stages in GTA: 140. Total Square feet 2,121,000 (approximately the size of 36 Football Fields).
One in five Canadian television watchers (18%) paid to watch a motion picture that was not shown in theatres because of the COVID-19 pandemic (Harris Poll, 2021).
Five hundred hours of video are uploaded to YouTube every minute. That’s 30,000 hours of video uploaded every hour. And 720,000 hours of video uploaded every day to YouTube (Nielsen).
North American youth aged four to fifteen spend an average of 85 minutes per day watching YouTube videos and 80 minutes per day spent on TikTok. Time spent on mobile games, like Minecraft, has increased over 100% during the pandemic (Qustodio Survey, 2021).
Toronto’s Film and Media Industry
Film, television and digital media production is an industry of strategic importance to the City of Toronto. Toronto welcomes over 1,500 productions annually and is among the top five film and television production clusters in North America. Toronto is headquarters to many of the film, television and digital media industry’s offices and the majority of Ontario’s studios and production facilities. Toronto is in fierce competition with global locations for film and television projects. Its competitiveness is a function of many factors: the value and quality of products and services produced and delivered, and the cost, quality and depth of the labour pool. Our skilled, friendly crews, top-quality studios and infrastructure contribute to making the region attractive.
Before the pandemic, Toronto’s Film and Media industry had grown significantly over the past two decades averaging between 5 and 8% growth in terms of both production and the size of its workforce. The industry includes everything from movie and television film production to animation and visual effects. Occupations vary greatly and include audio and visual technicians, writing, casting, production, post-production and animation. While employment numbers vary pending production schedules, around 40,000 individuals in the GTA and 65,000 in Ontario are employed in the industry.
As noted in the graph above, foreign location production has driven the phenomenal growth in the industry. Domestic segments of the film and TV production have remained fairly stagnant over the past decade. While this growth should be seen as positive; Toronto, Ontario and Canada are in a very competitive and international market.
What We Heard
Over six months at the end of 2020 and beginning of 2021, we had discussions and interviews with the industry and reflected on views and perspectives from studios, industry associations, guilds and unions and influential industry professionals. Our insights include:
- Having skilled talent in a region is one of the industry’s most important factors in determining where to locate production. Toronto’s community colleges, universities and unions have been a critically important asset by providing a good talent pool for the entertainment and digital media industry to draw upon.
- The film, television and digital media industry’s need for talent is ever increasing in both Toronto and Ontario. Careers in this industry can be rewarding and provide decent to good wages. Job posting data, culled over a five-year period, indicates that there is constant demand for technical occupations (camera operators, animators, scenery painters and other jobs) and in industry infrastructure employment (everything from truck drivers to specialized accounting jobs) even during the downturn caused by the pandemic.
- As the co-evolution of entertainment and technology continues, our public institutions will likely demand new strategies and agile approaches for companies and creators. This is especially true given the convergence among video, games and music. As North America moves to 5G wireless networks – we can expect the disruptions of artificial intelligence, virtual reality and interactive media to accelerate.
- There is nonstop disruption in the film and media industry, disruption that creates significant risk to all production clusters, including Toronto and Ontario. While there is risk, this disruption also creates a new space for enormous creativity, huge innovation and technological advances (for example the 500 hours of video are uploaded to YouTube each minute as we mentioned before). Indeed, instead of “reacting” to these changes, Toronto may want to consider ways to cultivate, nurture and embrace these disruptions to the benefit of artists and future production.
- Health safeguards, diversity and environmental sustainability initiatives are shifting attitudes and expectations on-screen and off. These changes will increase opportunities for employment across the Toronto Region.
- Given the ongoing and accelerating changes, Ontario’s drive to be a leader in the development of microcredentials holds significant promise and potential benefit for the film, TV and digital media industry. These short-term programs can ensure that our workers have been trained on the latest technologies and have the type of valued skills that are essential for the industry to thrive in Toronto. We feel that there is significant merit in Toronto’s education and training system to take the lead on Film and Media microcredentials.
Audio and Video Recording Technicians
An assortment of creative professionals make up post-production departments in the film, television and digital media industry. Post-production departments can include editors, visual designers, sound artists, transcribers, and subtitlers. These roles are responsible for tying all the final elements together to create the movies and televisions shows we all love.
Audio and video recording technicians operate equipment to record, mix and edit sound, music, and video for motion pictures, television and radio programs, videos, recordings, and live events. In the film industry, they are part of the post-production department. These creative professionals are responsible for adding various elements together to create seamless and natural scenes and sounds on-screen.
Audio and video recording technicians are also called?
Assistant sound editor
audio engineer
audiovisual technician
film technician
post-production technician
multimedia sound technician
What will you do?
Audio and video recording technicians play an important role in the overall production of any film, television program, or live event space. In general, they:
- Set up, prepare, operate, and adjust audio, recording, editing, and reproducing equipment to record, edit, and reproduce sound input or feed of pre-recorded material
- Maintain and coordinate input from live microphones, satellites or microwave trucks for films, videos, radio, and television programs and recordings
- Operate audio consoles or computers, tape machines, microphones, and sound processing equipment to mix, combine, and edit music and sound at concerts and live events
- Prepare and operate videotape recording and playback equipment to record videos, television programs, concerts, and live events
Where will you work?
The majority of audio and video recording technicians work in the entertainment industry. The sub-sectors that audio and video recording technicians operators are employed in include:
Motion picture productions
Radio and television broadcasting
Cable and other subscription programming
Live events and other entertainment venues
Like many other occupations in the film industry, audio and video recording technicians can gain ample experience and knowledge by starting out as assistants. Since there are many important roles within post-production departments, starting as an assistant will provide aspiring audio and video recording technicians with valuable on-the-job training.
In 2016, there were 3,330 people employed as audio and video recording technicians in Toronto and future employment prospects for audio and video recording technicians are very positive. In 2019, there were 16 new job postings for audio and video recording technicians operators.
WHAT CAN YOU EXPECT TO EARN?
Audio and video recording technicians in Toronto can expect to make between $36,000 and $81,000 depending on experience, accreditations, and responsibilities.
What skills are important for audio and video recording technicians?
LEVEL OF IMPORTANCE
WORK ACTIVITY
89
Interacting with computers – Using computers and computer systems (including hardware and software) to program, write software, set up functions, enter data, or process information
90
Updating and using relevant knowledge – Keeping up-to-date technically and applying new knowledge
79
Getting information – Observing, receiving, and otherwise obtaining information from all relevant sources
79
Making decisions and solving problems – Analyzing information and evaluating results to choose the best solution and solve problems
79
Thinking creatively – Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
89
Working face-to-face with others
76
Working in a group or team
74
Coordinate and/or lead others in accomplishing work activities
65
Being exact or accurate in your work
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
86
Attention to detail
84
Adaptability/flexibility
84
Dependability
81
Cooperation
How do I become a production assistant in Toronto? What education and certifications do I need to do this work?
On-the-job training and experience are very important for audio and video recording technicians. Audio and video recording technicians play an important role in post-production departments and can often work together with other editing teams to ensure they are creating seamless auditory and visual experiences on-screen.
There are several Toronto colleges that offer programs for individuals who want to pursue a career as an audio and video recording technician. These programs include:
- Humber College
Post-Production - Centennial College
Music Industry Arts and Performance
Electronics Engineering Technician - George Brown College
Sound Design & Production
Video Design & Production - Seneca College
Interactive Media Design - Recording Arts Canada
Music and Sound Production
Examples of in-school training can include, but are not limited to:
- Learning how to set up, operate, take down, maintain, and store studio equipment
- Creating sound files for live action dramatic short films, animated short films, video games, and interactive media
- Producing a score recording session and arranging a provided composition to fit a given visual sequence
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program. As a highly creative role, it will be important for aspiring audio and video recording technicians to build a portfolio of their experiences to showcase their skills and abilities.
Well over half (80.3%) of the audio and video recording technicians in Toronto have some form of post-secondary education:
Gender (Toronto CMA, 2016)
Job Openings (Toronto CMA, 2019-2021, Vicinity Jobs)
CAMERA OPERATORS
Films require a significant number of people with a wide variety of skill sets in order to be successful. There can be multiple crews and assistants, and everyone, not just the actors on-screen, has an important role to play. Film and video camera operators are the backbone of any film, radio, or television set.
As part of the production department, film and video camera operators are responsible for controlling the cameras that capture footage on a set. For large productions, film and video camera operators could have 1st and 2nd assistant camera operators to help with specific tasks, such as adjusting the camera’s focus or loading camera hard drives.
Film and video camera operators are also called?
MOTION PICTURE CAMERA OPERATOR
STUDIO CAMERA OPERATOR
TELEVISION CAMERA OPERATOR
VIDEO CAMERA OPERATOR
ASSISTANT CAMERA OPERATOR
VIDEOGRAPHER
What will you do?
In the film industry, the work of film and video camera operators is integral to the success of any project. In general, they:
- Operate video cameras to record news, live events, films, videos, and television broadcasts
- Consult with directors, sound and lighting technicians, electricians, and other crew members to discuss assignments and determine filming sequences, desired effects, camera movements, and lighting requirements
- Compose and frame each shot, applying the technical aspects of light, lenses, film, filters, and camera settings to achieve the effects sought by directors
- Adjust positions and controls of cameras, printers, and related equipment to change focus, exposure, and lighting
- Test, maintain, and store equipment
Where will you work?
The majority of film and video camera operators work in the entertainment industry. The sub-sectors that film and video camera operators are employed in includes:
MOTION PICTURE PRODUCTIONS
Cable and other subscription programming
Radio and television broadcasting
Spectator sports
Like many other occupations in the film industry, film and video camera operators can gain ample experience and knowledge by starting out as assistants. Since there are many important roles within a camera team, starting as an assistant will provide aspiring film and video camera operators with valuable on-the-job training.
Last year, there were over 1,400 people employed as film and video camera operators in Toronto and future employment prospects for film and video camera operators are very positive. In 2020, there were over 80 new job postings for film and video camera operators.
WHAT CAN YOU EXPECT TO EARN?
Film and camera operators in Toronto can expect to make between $40,000 and $76,000 depending on experience, accreditations, and responsibilities.
What skills are important for a film and video camera operator?
Job Specific Knowledge and Essential Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
90
Getting information – Observing, receiving, and otherwise obtaining information from all relevant sources
90
Thinking creatively – Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions
89
Communicating with supervisors, peers, and others – Providing information to supervisors and co-workers by telephone, e-mail, or in person
85
Establishing and maintaining interpersonal relationships – Developing constructive and cooperative working relationships with others, and maintaining them over time
83
Making decisions and solving problems – Analyzing information and evaluating results to choose the best solution and solve problems
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
95
Working face-to-face with others
80
Working in a group or team
69
Active listening
68
Time management
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
99
Attention to detail
87
Dependability
83
Active listening
76
Time management
How do I become a film and video camera operator in Toronto? What Education and Certifications do I need to do this work?
On-the-job training and experience is very important for film and video camera operators. If you are interested in becoming a film and video camera operator, experts in this occupation might also suggest gaining experience at an equipment rental company to gain intimate knowledge of the gear that is used in the industry.
There are several Toronto colleges and universities that offer programs for individuals who want to pursue a career as a film and video camera operator. These programs include:
- Humber College
Broadcast Television/Videography
Film and Media Production - Centennial College
Broadcasting – Radio, Television, Film & Digital Media - George Brown College
Video Design & Production - Seneca College
Broadcasting – Television - Toronto Film School
Film Production
Examples of in-school training can include, but is not limited to:
- Lighting techniques for both studio and location settings
- Camera techniques for various production styles
- Operating and manipulating a broadcast high-definition camera
- Operating and controlling the movement of the camera in a production environment
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program.
Over half (71.5%) of the film and video camera operators in Toronto have some form of post-secondary education:
GENDER (TORONTO CMA, 2016)
JOB POSTINGS FOR FILM AND VIDEO CAMERA OPERATORS (2018-2020)
Theatre, Costume, and Lighting Designers
Films and other forms of digital media are able to transport viewers into another world. The physical features of a film outside of the actors and the script, such as the scenery, lighting, outfits, and even colours are some of the elements that help to create a cohesive and immersive storyline for viewers.
Those responsible for creating these physical elements in a film or television show include theatre, costume, and lighting designers. These roles are part of the production team and often work with other teams, such as hair, makeup, and other directors to create the look and feel for a film or television show.
This is a highly creative role and there is not a strict educational path for people looking to pursue a career as a theatre, costume, or lighting designer. However, there are opportunities for individuals to specialize in costume, lighting, or set design.
Theatre, costume, and lighting designers are also called?
Display designer
fashion designer
facilities designer
set decorator
set designer
production designer
What will you do?
Theatre, costume, and lighting designers play an important role in the overall production of any film or television program. In general, they:
- Read and analyze scripts and consult with the director and others to develop themes, objectives, and design concepts
- Design and create settings, scenic environments, properties, costumes, and lighting for theatre, film, and video productions
- Visualize productions using a variety of artistic techniques
- Work with other departments to envision and create a cohesive set, including lighting, costuming, and makeup, that fits within the theme of the film or show
Where will you work?
Many theatre, costume, and lighting designers work in the film and media industry. The sub-sectors that hair and makeup artists operators are employed in include :
MOTION PICTURE PRODUCTIONS
Live events, festivals, and other entertainment venues
Theatre companies
Retail services
In 2016, there were 3,640 people employed as theatre, costume, and lighting designers in Toronto and future employment prospects for theatre, costume, and lighting designers are positive.
WHAT CAN YOU EXPECT TO EARN?
Theatre, costume, and lighting designers in Toronto can expect to make between $30,000 and $85,000 depending on experience, accreditations, and responsibilities.
What skills are important for theatre, costume, and lighting designers?
Job Specific Knowledge and Essential Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
97
Thinking creatively – Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions
90
Making decisions and solving problems – Analyzing information and evaluating results to choose the best solution and solve problems
89
Drafting, laying out, and specifying technical devices, parts, and equipment – providing documentation, detailed instructions, drawings, or specifications to tell others about how devices, parts, equipment, or structures are to be fabricated, constructed, assembled, modified, maintained, or used
85
Organizing, planning, and prioritizing work – Developing specific goals and plans to prioritize, organize, and accomplish your work
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
92
Spending time using your hands to handle or control objects, tools, or controls
82
Working indoors in environmentally controlled conditions
70
Working in a group or team
70
Working face to face with others
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
95
Attention to detail
94
Dependability
87
Innovation
85
Time management
How do I become a theatre, costume, or lighting designer in Toronto? What education and certifications do I need to do this work?
On-the-job training and experience, like many other occupations in the film, television and digital media industry, is very important for theatre, costume, and lighting designers. This is a highly creative role and there are multiple paths someone can take to become a theatre, costume, or lighting designer in Toronto’s film industry. Experts suggest that it would be beneficial to study theatrical or interior design, fashion design, film production, or art history. It is also beneficial to build a portfolio to showcase one’s skills, abilities, and experiences.
While there is not a strict educational path for people looking to pursue a career as a theatre, costume, or lighting designer there are several Toronto colleges and universities that offer programs relevant to the work these designers do. These programs include:
- Humber College
Theatre Arts – Production - George Brown College
Interior Design Technology
Fashion Techniques & Design - Seneca College
Fashion Studies - Centennial College
Art & Design Fundamentals - Ryerson University
Interior Design
Lighting Design
Fashion Coordination and Styling
Examples of in-school training can include, but are not limited to:
- Studying the application of elements of lighting such as colour, form, space, plane, rhythm, balance, and texture
- Designing and constructing the physical elements for stage and actors to achieve production-specific goals
- Collaborating with all members of a production team to enable the creative expression of diverse ideas and concepts
- Understanding methods and techniques for creating a mood, feeling, or “look” through the use of clothing and related props
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program.
A fairly high amount (79.4%) of theatre, costume, and lighting designers in Toronto have some form of post-secondary education:
GENDER (TORONTO CMA, 2016)
Job Openings (Toronto CMA, 2019-2021, Vicinity Jobs)
Visual Effects Artist
For films and television shows, the work that is done in post-production ties all the elements of a story together. Post-production occurs after the shooting or recording has ended and is responsible for crafting and creating the final audio and visual material.
Visual effects artists, who are part of post-production departments, are highly technical and creative artists. Visual effects artists are responsible for creating photoreal, digitally generated imagery and seamlessly integrating these effects into live action in films, television, and gaming. With various software programs, these artists can turn imagination into realistic experiences on screen. For example, imagine a movie about a dinosaur that wreaks havoc on Toronto and the dinosaur starts climbing the CN tower; a visual effects artist could make that happen!
Visual effects artists are also called?
Graphic arts technician
Multimedia graphics technician
Animation painter
Computer graphics technician
Digital effects artist
What will you do?
Visual effects artists are specialized and technical designers. In general, they:
- Produce computerized images and drawings
- Digitize images using peripherals and transform them using retouching systems, graphic palettes, or specialized software
- Paint or ink individual cells of 2D or 3D animated drawings using an electronic palette
Where will you work?
The demand for visual effects artists continues to grow in Toronto and Canada’s film industry. Visual effects artists usually work in:
Motion picture productions
Television productions
Communications companies
Advertising and marketing companies
Other multimedia establishments
In 2016, there were nearly 1,000 people employed as visual effects artists in Toronto and future employment prospects for this occupation are positive. In 2020, there were nearly 40 new job postings for visual effects artists.
WHAT CAN YOU EXPECT TO EARN?
Visual effects artists in Toronto can expect to make between $49,800 and $70,200 depending on experience, accreditations, and responsibilities.
What skills are important for a visual effects artist?
LEVEL OF IMPORTANCE
WORK ACTIVITY
96
Interacting with computers – Using computers and computer systems (including hardware and software) to program, write software, set up functions, enter data, or process information
96
Thinking creatively – Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions
94
Communicating with supervisors, peers, and others – Providing information to supervisors and co-workers by telephone, e-mail, or in person
89
Getting information – Observing, receiving, and otherwise obtaining information from all relevant sources
84
Updating and using relevant knowledge – Keeping up-to-date technically and applying new knowledge to your job
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
87
Face-to-face discussions with individuals or teams
85
Importance of being exact or accurate
72
Active listening
69
Critical thinking
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
95
Attention to detail
79
Cooperation with others
79
Integrity
77
Adaptability/Flexibility
How do I become a visual effects artist in Toronto? What education and certifications do I need to do this work?
The work of a visual effects artist involves a mix of creativity, storytelling, and cutting-edge technology. Therefore, it’s important for aspiring visual effects artists to gain experience and develop a portfolio. There are several Toronto colleges that offer programs for individuals who want to pursue a career as a visual effects artist. These programs include:
- Humber College
Post Production - Centennial College
Digital Visual Effects - George Brown College
Visual Effects - Seneca College
Visual Effects for Film & Television
Seneca VFX - Toronto Film School
Visual Effects for Film & TV - Canadore College
Digital Visual Effects
Examples of in-school training can include, but are not limited to:
- Image processing, editing, lighting, rendering, matte painting, set extension, compositing, and post-VFX techniques
- Creating 2D and 3D Fluid simulations in Maya
- Learning Houdini to think and solve problems in a non-linear fashion
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program. There are also community organizations that offer training and support for aspiring visual effects artists, such as Woodgreen’s VFX Compositing Training Program.
Visual effects artists require a fair amount of formal training; 79.8% of the visual effects artists in Toronto have some form of post-secondary education:
Gender (Toronto CMA, 2016)
Job Openings (Toronto CMA, 2019-2021, Vicinity Jobs)
Grips and Riggers
Shooting a scene can sometimes be very complex. Cameras are big and bulky and can be difficult to move around to achieve a particular viewpoint or image. To achieve the artistry of a shot, grips and riggers are the people responsible for working out how to arrange and move the cameras to make it happen.
Similar to a production assistant, grips and riggers are frequently called upon by various departments. Grips often provide support to camera operators, but can also help with lighting, set design, and all other departments. If a camera is mounted in an odd place, such as a car or on a crane, it is likely a grip or rigger that set it up and secured it there!
Grips and riggers are also called?
Stagehand
Key grip
What will you do?
Grips and riggers play an important role in the overall production of any film, television program, or live production. In general, they:
- Provide support to camera departments and set up camera equipment, such as mounting cameras on a dolly or crane
- Assist technical workers and perform other support duties related to broadcasting, the production of motion pictures, and the performing arts
Where will you work?
The majority of grips and riggers work in the entertainment industry. The sub-sectors that grips are employed in include:
Motion picture and video production companies
Television stations and networks
Theatre and stage companies
Depending on the size of a film set, there can be many grip and rigger positions required. Grips and riggers are an integral position to a production, and as such, are often very busy supporting various departments on set.
In 2016, there were 2,655 people employed as grips, riggers, and other support occupations in film and stage production in Toronto and future employment prospects for grips are positive. In 2019, there were 144 new job postings for grips, riggers, and other support occupations.
WHAT CAN YOU EXPECT TO EARN?
Grips and riggers in Toronto can expect to make between $28,000 and $63,000 depending on experience, accreditations, and responsibilities.
Job Specific Knowledge and Essential Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
90
Handling and moving objects – Using hands and arms in handling, installing, positioning, and moving materials, and manipulating things
89
Communicating with supervisors, peers, and others – Providing information to supervisors, co-workers, and subordinates by telephone, in written form, e-mail, or in person
79
Monitor processes, materials, or surroundings – Monitoring and reviewing information from materials, events, or the environment, to detect or assess problems
76
Making decisions and solving problems – Analyzing information and evaluating results to choose the best solution and solve problems
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
85
Working face-to-face with others
80
Spending time using your hands to handle tools or controls
70
Performing general physical activities
70
Being exact or accurate in your work
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
99
Attention to detail
86
Dependability
84
Cooperation
81
Innovation
How do I become a grip or rigger in Toronto? What education and certifications do I need to do this work?
On-the-job training and experience are very important for grips and riggers. There are a limited number of training programs available for grip and rigger positions specifically. Experts suggest that starting as a production assistant would be beneficial for aspiring grips and riggers, so they are able to gain valuable on-set experience.
While it is not necessary to have any formal education or training to be a grip or rigger, it would be helpful to have some knowledge of film, digital media, and production. There are some colleges in Toronto that offer programs on production and film. These programs include:
- Humber College
Film and Television Production - George Brown College
Video Design & Production - Seneca College
Event & Media Production
Film & Television Career Launcher (Microcredential)
Examples of in-school training can include, but are not limited to:
- Learning industry standard processes for development, pre-production, production, post-production, marketing, and distribution of media content for film and television
- Studying historical and current issues and emerging trends to the evolution of film and television as an artistic media
- Modelling professional and ethical behavior when solving problems working with colleagues and clients in the media industry to achieve production project goals
- Understand how to plan, schedule, budget, and manage location sites for various types of film and television project in accordance with safety, legal, and professional standards
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program.
Well over half (64.2%) of the grips and riggers in Toronto have some form of post-secondary education:
GENDER (TORONTO CMA, 2016)
Job Openings (Toronto CMA, 2019-2021, Vicinity Jobs)
Production Assistant
There are many roles that are needed for a production to go from an idea or concept to a fully created motion picture. Of course, the various departments on film sets are filled with highly creative and technical experts. However, these departments are also staffed with several production assistants who are responsible for a bit of everything and anything that may be needed to keep a set running smoothly.
The work of a production assistant often isn’t glamorous, but it is very important to the success of any production. Production assistants usually provide support to a particular department but can work across departments as well. As an entry-level position, being a production assistant is an excellent way to gain valuable experience and develop the skills necessary to later specialize in a more technical role.
Production assistants are also called?
Key production assistant
Video production assistant
What will you do?
Production assistants play an important role in the overall production of any film or television program and can often be responsible for just about anything and everything. In general, they:
- Provide support to the director and producer, and are responsible for various aspects of production such as preparing schedules, setting up equipment, and making travel arrangements to various shooting locations
Where will you work?
Most production assistants work in the entertainment industry. Production assistants can be employed by:
Motion picture and video production companies
Radio and television stations and networks
Recording studios
Theatre and stage companies
Production assistant is a role that many aspiring film industry workers start out in. It is a great way to gain experience and understand how the industry works. Since production assistants are often responsible for many tasks across departments, it can be a great way to find out what career path you might want to take in the industry.
In 2016, there were 2,655 people employed as production assistants and other support occupations in film, stage, and media productions in Toronto and future employment prospects for production assistants are positive. In 2019, there were 144 new job postings for production assistants and other production support occupations.
WHAT CAN YOU EXPECT TO EARN?
Production assistants in Toronto can expect to make between $28,000 and $63,000 depending on experience, accreditations, and responsibilities.
What skills are important for production assistants?
LEVEL OF IMPORTANCE
WORK ACTIVITY
90
Communicating with supervisors, peers, and others – Using computers and computer systems (including hardware and software) to program, write software, set up functions, enter data, or process information
89
Scheduling work and activities – Scheduling events, programs, and activities, as well as the work of others
85
Organizing, planning, and prioritizing work – Developing specific goals and plans to prioritize, organize, and accomplish your work
85
Identifying objects, actions, and events – Identifying information by categorizing, estimating, recognizing differences or similarities, and detecting changes in circumstances or events
79
Getting information – Observing, receiving, and otherwise obtaining information from all relevant sources
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
85
Working face-to-face with others
79
Time pressure
78
Working in a group or team
65
Being exact or accurate in your work
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
95
Dependability
90
Adaptability/flexibility
85
Cooperation
81
Initiative
How do I become a production assistant in Toronto? What education and certifications do I need to do this work?
On-the-job training and experience are very important for production assistants. All departments on a set need production assistants, so production assistants can gain experience in any department that they may want to pursue further opportunities in.
While it is not necessary to have any formal education or training to be a production assistant, it would be beneficial to have some knowledge of film, digital media, and production. There are some colleges in Toronto that offer programs on production and film. These programs include:
- Humber College
Film and Television Production - George Brown College
Video Design & Production - Seneca College
Event & Media Production
Film & Television Career Launcher (Microcredential)
Examples of in-school training can include, but are not limited to:
- Learning industry standard processes for development, pre-production, production, post-production, marketing, and distribution of media content for film and television
- Studying historical and current issues and emerging trends to the evolution of film and television as an artistic media
- Modelling professional and ethical behavior when solving problems working with colleagues and clients in the media industry to achieve production project goals
- Understanding how to plan, schedule, budget, and manage location sites for various types of film and television projects in accordance with safety, legal, and professional standards
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program. Further, a Toronto-based community organization has recently developed a five-week Production Assistant Training Program to introduce interested individuals to the world of becoming a production assistant.
Well over half (64.2%) of the production assistants in Toronto have some form of post-secondary education
Gender (Toronto CMA, 2016)
Job Openings (Toronto CMA, 2019-2021, Vicinity Jobs)
Hair and Makeup Artists
Visual cues can help to portray a certain era, aesthetic, or geographical location in a film or television show. The way an actor is dressed, their hairstyle, and makeup are examples of visual cues that help to build a narrative and can tie a storyline together.
In Toronto’s film industry, hair and makeup artists are part of the production departments. Hair stylists are responsible for designing and styling actors’ hair and wigs on set. Makeup artists are responsible for preparing actors’ appearances by applying makeup, paint, and other accessories. Special effects makeup artists are also part of this department and are responsible for using makeup and prosthetics to create imagery and effects to portray and enhance an actors’ appearance. For example, special effects makeup artists can make an actor appear wounded, older, or even otherworldly.
Hair and makeup artists are also called?
Key makeup artist
Special effects makeup artist
Hair Stylist
Wig maker
Wig hairdresser
What will you do?
Hair and makeup artists play an important role in the overall production of any film, television program, or live event. In general, they:
- Apply cosmetic and special effects make-up on actors and other performers
- Read and analyze scripts to plan and coordinate the necessary makeup and changes depending on different scenes and sceneries
- Work with directors and other designers to plan and create character hairstyles
Where will you work?
Many hair and makeup artists work in the film and media industry. Some hair and makeup artists are self-employed or business owners. The sub-sectors that hair and makeup artists operators are employed in include:
Motion picture productions
Live television broadcasting
Live events and other entertainment venues
Retail services
Cosmetological enterprises
Recently, the film and digital media industry has made a concerted effort to increase the diversity of people employed in the industry. This includes both on- and off-screen roles. Hair and makeup artists that are Black, Indigenous, or People of Colour, are needed across the industry to provide culturally appropriate services.
In 2016, there were people employed as hair and makeup artists in Toronto and future employment prospects for hair and makeup artists are good.
This number is the entire 5226 NOC, not just hair and makeup
WHAT CAN YOU EXPECT TO EARN?
Hair and makeup artists in Toronto can expect to make between $30,000 and $53,000 depending on experience, accreditations, and responsibilities.
What skills are important for hair and makeup artists?
LEVEL OF IMPORTANCE
WORK ACTIVITY
93
Thinking creatively – Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions
81
Updating and using relevant knowledge – Keeping up-to-date technically and applying new knowledge
75
Establishing and maintaining interpersonal relationships – Developing constructive and cooperative working relationships with others, and maintaining them over time
74
Communicating with supervisors, peers, and others – Providing information to supervisors and co-workers by telephone, e-mail, or in person
Attitudes and Employability Skills
LEVEL OF IMPORTANCE
WORK ACTIVITY
99
Spend time using your hands to handle, control, or feel objects, tools, or controls
91
Spending time using your hands to handle tools or controls
83
Freedom to make decisions
83
Working in a group or team
65
Meeting strict deadlines
Working Styles
LEVEL OF IMPORTANCE
WORK ACTIVITY
94
Attention to detail
90
Dependability
87
Cooperation
85
Adaptability/flexibility
How do I become a hair and makeup artist in Toronto? What education and certifications do I need to do this work?
On-the-job training and experience are very important for hair and makeup artists. As a highly creative role, it will be important for aspiring hair and makeup artists to build a portfolio of their experiences to showcase their skills and abilities.
In Ontario, hairstylist is a regulated trade. Upon completing the necessary apprenticeship training program, individuals are issued a Certificate of Apprenticeship, which confirms that someone has the skills, knowledge, and experience that meet industry standards. The apprenticeship takes approximately two years to complete and consists of on-the-job and in-school training.
There are several Toronto colleges that offer programs for individuals who want to pursue a career as a hair or makeup artist. These programs include:
- Humber College
Cosmetic Management - Seneca College
Cosmetic Techniques & Management - Ryerson University
Advanced Makeup Artistry & Special Effects - College of Makeup and Design
Creature Design
Makeup Artist - Canadian Beauty College
Makeup Artist Diploma
Special Effects Makeup
Hairstyling Certificate
Examples of in-school training can include, but are not limited to:
- Effectively creating hairstyles based on briefs from clients, producers, directors, and stylists
- Contouring, shading, and highlighting techniques
- Learning techniques for different designs and portrayals such as aging, clowns, facial lifts, wax, latex aging, beards, bald pates, blood and gore, and historical make-up
- Appropriate health and safety procedures
Several of these programs also offer field placements to supplement in-class learning. Outside of college programs, it is also possible for individuals to gain experience through industry associations, such as the Director’s Guild of Canada’s Apprenticeship Program and NABET 700-M UNIFOR’s Apprenticeship Program. There is also a program for Hairstyling Training Apprenticeship through the Toronto District School Board.
Well over half (76.2%) of hair and makeup artists in Toronto have some form of post-secondary education:
Gender (Toronto CMA, 2016)
Job Openings (Toronto CMA, 2019-2021, Vicinity Jobs)
Entertainment and the Rise of Digital Media in the Los Angeles Basin
Pause and Rethink – Annual Trends in the Audiovisual Industry
Women in View On Screen Report
Gen Z: The Culture of Content Consumption
Toronto Screen Industry Workforce Study
Audiobooks: Building Capacity for Canadian Creation and Publishing
We welcome the use and sharing of the research data contained in our reports, articles and website, with attribution to “Toronto Workforce Innovation Group (TWIG)” as your source.
June 1, 2021